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Amy Swift Crosby

the story is in the telling

Descriptions.

March 7, 2017 · By Amy Swift Crosby

We (you, me) are obliged to tell stories in the name of commerce. We are all telling one — and it’s our job to do it, like it or not.

But as people, I’m not sure we have the same responsibility. Often times, when a profound or still-unfolding experience happens, it’s hard to put punctuation around it. It can feel so big — with aspects known, and others still unknown, that it’s hard to know how to answer:

“How are you?”
“How was the trip?”
“How was your year?”

These seem like innocuous questions. But often they force us to prematurely disclose at the cost of an invaluable plot line: that which is…

How am I (really)?
What do I ( really) think?
What does this (really) mean for me?

Which leads to…what to do?
A short answer feels untrue.
A long (more real one) might cost you the much-needed conversation you’re having internally, by assigning a story to something you don’t know yet.

Here’s the thing. We don’t owe marketing, messaging or status updates to the general public of our personal lives, and maintaining the vital membrane that holds genuine reflection together can take a conscious act of restraint.

Sometimes saying less — even if it’s not super true – is the right-est thing you can do. It may be your only hope in knowing what you really think.

Teflon.

February 28, 2017 · By Amy Swift Crosby

There are times when your “surface” needs to be sealed, and other times when it needs to be porous. Often, it has to be at the same time to truly be useful.

When I first meet a client, they’ve developed “beliefs” about what can or can’t be done, either based on years of a certain strategy that no longer works, or a few traumatic experiences. These narratives may turn out to hold water, or they may be anomalies born of other factors they haven’t considered. Usually these (potentially) biased ideas have shaped what they think they’re hiring me / us to fix. But until we know more and ask more questions, we have to hold those “facts” in a suspension of disbelief. We have to treat them as wickable. If we accept them as absolute, our strategies will be as silo’d as the clients’. They need us not to believe them, as much as they need us to hear them.

“Facebook has never worked for us.”
“No one wants to read more emails.”
“People won’t buy things on the internet.”
“We’ve done it that way since day one.”
“Customers don’t want to share cars.”

True? False?

It’s often our job or role to press pause for others and drive a conversation that unpacks / disrupts / refutes / or (maybe) buys the reality of the perception. But how do you provide this valuable service to yourself?

It takes some fancy footwork to hold your own breath, stop your own film, pause your own song — long enough to see if you’ve inadvertently built a false narrative. You’re busy doing the work — so it’s not easy to also figure out what part of your belief system is being misshaped by actions as they happen in real time. Kudos if you can be that kind of ninja!

But bigger kudos if you can be open / humble enough to let someone else take a crack at it. They might challenge what you see as a certainty, or play Devil’s Advocate in a way that’s tiresome. But they’re offering you a non-stick surface, which is the only way to see blindspots — or better — unchartered territory.

You can be dual-materials to everyone else, and probably get paid to be, but the biggest favor you can do your own business is to put your precious cashmere in the hands of something more industrial, and see what happens. Could turn out to be genius.

Code.

February 21, 2017 · By Amy Swift Crosby

Even this half-beat public bus in Bombay has one.

Lucky are the doctors, therapists, lawyers and journalists — among others – when it comes to professional codes. Their days are governed by rules and laws – by an organized body of ethical standards that deems “yes we can” or “no we cannot.” It’s not that there aren’t gray areas, but at least they’re held to a baseline of collective agreement. For creative’s, consultants, entrepreneurs, marketers, in other words, most of us — we call our own shots. At a minimum, we aim for ethical, but there are hundreds of questions that live in a pretty gray area.

I heard Anthony Bourdain interviewed on NPR last weekend and he talked about his own code, mostly bleeped for national radio – that basically said he wouldn’t live his life or be part of anything he couldn’t stand behind. Nor would he work with people he “didn’t genuinely like.” He was more graphic (as expected), but in a nutshell, said – no bullsh$t. It’s easier to say that once you’re successful and in a place of power. But what about when you’re still in the hustle? Still building? Still pitching? Still perseverating over “yes I should” or “no I shouldn’t”?

I had a great brand ask me to pitch work on spec recently, to write messaging as a means of interviewing for the (big) project. I wanted the work. I really like the client and brand. But I know better than to invest a day in tagline development without a complete brief, without feeling invested, and without an official engagement. Doing business development and client woo-ing may be part of the job, but all of us who work in undefined business landscapes have to recognize a fools errand when we see one. Submitting a half-baked idea in order to ‘seem’ the most clever / creative / smart isn’t the way I want to win an account. I have a website, a portfolio and a weekly blog… if they want to see the work. You likely do, too.

I can tell when my code has broken links pretty easily; I’m uncomfortable with the arrangement (at best), or annoyed with terms (trying to understand why I agreed)  — at worst. It happens much less than it used to, but it still happens #stilllearning.

We all need codes. But when they’re on a case by case basis, when they’re too malleable, when we make exceptions and call it the rule, we break them without ceremony.

Have a standard. Make sure you can live with it and hold yourself to it. If not you, then who?

Moves.

February 7, 2017 · By Amy Swift Crosby

Sometimes I think our path to finding agreement — the way we fight, disagree, recover or come back – define us even more than the big issues themselves.

Conflict or differences in opinion happen all the time – in marriage, in business, between countries and between partners. Alec Baldwin recently interviewed the actor John Turturro and both shared that there are times during the making of certain, high stakes films, when each have wanted to walk off the set — where the disparate visions of key stakeholders (actor / director / producer / investor) don’t seem like they can be (peacefully) resolved. The only scenarios that worked allowed everyone to come back to the conversation with their self-respect in tact. We can all relate to that. You hope discord moves the conversation in a healthy way — with no black eyes — and that it pushes an idea / issue / team to its full potential. But does how you get there…also matter?

Our moves define us, ultimately. And that includes our passivity or inaction. We can (and will) make mistakes, throw bad passes, get sloppy, fail the people we most want to impress — but our course, words and gestures in finding our way back is what will be remembered.

It’s fun to win, and nice to be right, but hopefully not at the cost of anyone losing too much to recover.

Consider not just the stakes, but how it will feel to win what’s at stake. Make the moves you also want made. It’s the most generous thing you can do, and unlike the Super Bowl, where credit is obvious and comes with a ring, no one will likely know all that you did to change the game.

That’s okay. Do it anyway.

Rope.

January 31, 2017 · By Amy Swift Crosby

When you come to the end of it, it’s only because warning fires were shot, conversations were had, ultimatums may even have been given…and things (still) haven’t changed. Ropes are long. They’re braided. They look simple, but they’re a complex weave that hold things together — really heavy things. They can take a lot, but they can’t withstand everything.

Knowing how close you are to the end of a rope is hard to measure, because you don’t know until you’re hanging by a thread typically. We find ourselves there when we haven’t been seen or heard, when too much goes unsaid, when a threshold is on the immediate horizon. And this is where it’s hard to not blame other people or situations, and instead, take one more shot at preserving the thing you’ve built or made together. It may be the final effort you make to save something that seems too painful/cumbersome/dysfunctional to save — it might be a role you’re in, a relationship, a job you do, the impact someone has on you — again and again. The thing is, it’s hard to resuscitate something that’s hanging by a thread. There’s just not enough material there.

If you’re thinking about rope, it’s time to communicate about it. If you haven’t communicated enough, and you’re at the end of it, it’s going to be even harder. So it’s worth knowing early on — am I in “rope” territory? And if so, where am I on it? Middle? Close to the end?

The bad news is that we only tend to think about rope when we’re looking at the end of one. The good news is, ropes are deceptively strong. Take one more step, if you can, to extend yours. You might be surprised by your own resilience, and by how much more there was that you couldn’t see.

Recovery.

January 24, 2017 · By Amy Swift Crosby

Intentional chilling. In case you need a visual.

Performance has infiltrated our lives. It seems like everyone I know, work with, hang with, partner with, is performing at such a high level, and in a multitude of applications. If you’re reading this, it’s also probably you.

They’re dope at their job.

They’re incredible parents.

They also give Ted Talks.

They’re developing an app.

They do the right thing, thanklessly, over and over.

They just ran an Ironman.

And even though deep down, we know it isn’t always about being great at stuff, it turns out, a lot of people just are above average, at lot’s of things. It’s not by accident. They work at it — and aim for it with gusto. Just keeping up with the number of communications that come through the door every day — with some thought and intelligence – could also be some level of performance. We apparently each send or receive at least 150 emails a day. What the what. All of us kind of have to perform at a higher level these days.

So if Performance (yes, capital P), has become not only our Plan A but also our Plan B — meaning, if we just cant’ help ourselves – how much have we scheduled in recovery? I recently spent an entire day doing restorative stuff. I just kept going deeper and deeper into a “rest” state — throughout the day — and by the end was ready to climb the Empire State Building. It had the opposite affect on me — rather than relaxing me into a state of subdued Zen, I was energized into a buzzing little bee. So it worked. I was no longer flattened but instead, emboldened.

Recovery takes discipline. But there’s something really amazing about people who aren’t frazzled, who have command over their lives and schedules, who aren’t in a total state of reaction throughout the day, who aren’t panting through calls and meetings — because the tail is wagging the dog.

Rest is productive. Do it like you mean it.

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About Me

photo of Amy Swift Crosby

I’m a brand strategist and copy writer. I mostly work with partner agencies or directly with the leadership or founding team at a brand. My primary mission is to connect design and messaging solutions to business missions. I work with start-ups and Fortune 500 companies, across beauty, hospitality, wellness/fitness, CPG and retail. This blog reflects my personal writing and explores our humanity – often as it relates to work, space, time and language. You can review my portfolio here or connect with me here.

Photo - Andrew Stiles

The Brandsmiths Podcast



Brand Strategists Hilary Laffer and Amy Swift Crosby tackle business questions with candid, (mostly) serious and definitely unscripted workshopping sessions. Guests – from small business owners to CEOs, executive directors and founders – bring their head-scratchers, hunches and conundrums to Hilary, the owner of a boutique creative agency in Los Angeles, and Amy, a copy writer.

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